Silmarillion Verfilmung Neue Herr-der-Ringe-Serie: Silmarillion als Vorbild?
Das Silmarillion erzählt die komplette Geschichte der Welt, die J.R.R. Tolkien erschaffen hat und in der unter anderem "Der Herr der Ringe". Nach „Herr der Ringe“ und „Der Hobbit“ soll ein weiteres Buch J.R.R. Tolkiens verfilmt werden: „Das Silmarillion“. „Der Herr der Ringe“: Silmarillion-Film nach Ausstieg von Christopher Tolkien nicht mehr ausgeschlossen. Author: Andreas Engelhardt. jonkoping-filmfestival.se: Mit der Verfilmung von „Der Herr der Ringe“ setzte für „Der Herr der Ringe“, „Der Hobbit“ oder auch „Das Silmarillion“, die. Das Silmarillion (Von den Silmaril, Originaltitel: englisch The Silmarillion) ist eine Sammlung unvollendeter Werke J. R. R. Tolkiens, die auf seinen Wunsch.
Wird „Das Silmarillion“ als Film umgesetzt? Seit Jahren halten sich Gerüchte, dass nach der Herr-der-Ringe-Trilogie und dem „Hobbit“. Immer wieder erreichen uns Mails und Messages mit dem Hinweis, dass das SILMARILLION von J.R.R. Tolkien verfilmt werde. Indikator dafür. Das Silmarillion erzählt die komplette Geschichte der Welt, die J.R.R. Tolkien erschaffen hat und in der unter anderem "Der Herr der Ringe". One by one, the Noldor built up kingdoms for themselves throughout Beleriand. Letzte Aktivität: He called his collection of nascent stories The Book of Lost Tales. In Over de Go here van click herehet verhaal dat de voorgeschiedenis vormt van Borat stream deutsch de Ban van de Ringis Sauron de duistere here die de Ene Ring smeedt. Help Community portal Recent changes Upload file. Walker kГ¤fer Valar attempted to fashion the world for Elves and Men, but Melkor continually destroyed their handiwork.
Because of the secrecy of these places, they were more secure from Melkor's armies. Gondolin was especially secure, as Turgon took great care to keep it secret, and it was one of the last Elven strongholds to fall.
After the destruction of the Trees and the theft of the Silmarils, the Valar created the moon and the sun.
At the same time, Men awoke; some later arrived in Beleriand and allied themselves to the Elves. Thingol believed no mere Man was worthy of his daughter, and set a seemingly impossible price for her hand: one of the Silmarils.
Undaunted, Beren set out to obtain a jewel. Together they entered Melkor's fortress and stole a Silmaril from Melkor's crown.
Though the fates of Man and Elf after death would sunder the couple forever, she persuaded the Vala Mandos to make an exception for them.
Thus, after they died, they would share the same fate. The Noldor were emboldened by the couple's feat and attacked Melkor again, with a great army of Elves, Dwarves and Men.
But Melkor had secretly corrupted some of the Men. Thus it was that the Elvish host were utterly defeated. However, many Men remained loyal to the Elves.
Before their child was born, the dragon lifted the enchantment. Nienor took her own life. Huor's son, Tuor , became involved in the fate of the hidden Noldorin kingdom of Gondolin.
When Gondolin fell, betrayed from within by the king's traitorous nephew Maeglin, Tuor saved many of its inhabitants.
All the Elvish kingdoms in Beleriand eventually fell, and the refugees fled to a haven by the sea created by Tuor.
The Valar obliged, attacking and defeating Melkor and completely destroying Angband, though most of Beleriand sank into the sea, and expelled Melkor from Arda.
This ended the First Age of Middle-earth. However, because of all the evil deeds the brothers had committed in their quest to gain the Silmarils, they were no longer counted worthy to receive them, so the Silmarils burnt their hands.
In anguish, Maedhros killed himself by leaping into a fiery chasm with his Silmaril, while Maglor threw his jewel into the sea and spent the rest of his days wandering along the shores of the world, singing his grief.
Eärendil and Elwing had two children: Elrond and Elros. As descendants of immortal elves and mortal men, they were given the choice of which lineage to belong to: Elrond chose to be an Elf, his brother a Man.
After the defeat of Melkor, the Valar gave the island to the three loyal houses of Men who had aided the Elves in the war against him. They were so powerful that Sauron perceived that he could not defeat them by force.
Sauron urged them to wage war against the Valar to seize the immortality denied them. The world was remade, and Aman was removed beyond the Uttermost West so that Men could not sail there to threaten it.
As a Maia, his spirit returned to Middle-earth, though he was no longer able to take the fair form he had once had. They founded two kingdoms: Arnor in the north and Gondor in the south.
The concluding section of the book, comprising about 20 pages, describes the events that take place in Middle-earth during the Second and Third Ages.
In the Second Age, Sauron re-emerged in Middle-earth. Isildur was ambushed by orcs and killed at the Gladden Fields shortly afterwards, and the One Ring was lost in the River Anduin.
This section also gives a brief overview of the events leading up to and taking place in The Lord of the Rings , including the waning of Gondor, the re-emergence of Sauron, the White Council , Saruman 's treachery, and Sauron's final destruction along with the One Ring, which ends the Third Age.
Tolkien first began working on the stories that would become The Silmarillion in , [T 6] intending them to become an English mythology that would explain the origins of English history and culture.
He called his collection of nascent stories The Book of Lost Tales. Reynolds, a friend to whom Tolkien had sent several of the stories.
In the late s Tolkien returned to The Silmarillion , but much of his writing from this time was concerned more with the theological and philosophical underpinnings of the work than with the narratives themselves.
By this time, he had doubts about fundamental aspects of the work that went back to the earliest versions of the stories, and it seems that he felt the need to resolve these problems before he could produce the "final" version of The Silmarillion.
For several years after his father's death, Christopher Tolkien compiled a Silmarillion narrative. He tried to use the latest writings of his father's and to keep as much internal consistency and consistency with The Lord of the Rings as possible, given the many conflicting drafts.
In one later chapter of Quenta Silmarillion , "Of the Ruin of Doriath", which had not been touched since the early s, he had to construct a narrative practically from scratch.
Because of Christopher's extensive explanations in The History of Middle-earth of how he compiled the published work, much of The Silmarillion has been debated by readers.
Christopher's task is generally accepted as very difficult given the state of his father's texts at the time of his death: some critical texts were no longer in the Tolkien family's possession, and Christopher's task compelled him to rush through much of the material.
Christopher reveals in later volumes of The History of Middle-earth many divergent ideas which do not agree with the published version. Christopher Tolkien has suggested that, had he taken more time and had access to all the texts, he might have produced a substantially different work.
In his foreword to The Book of Lost Tales 1 in , he wrote that "by its posthumous publication nearly a quarter of a century later the natural order of presentation of the whole 'Matter of Middle-earth' was inverted; and it is certainly debatable whether it was wise to publish in a version of the primary 'legendarium' standing on its own and claiming, as it were, to be self-explanatory.
The published work has no 'framework', no suggestion of what it is and how within the imagined world it came to be. This I now think to have been an error.
In October , Christopher Tolkien commissioned illustrator Ted Nasmith to create full-page full-colour artwork for the first illustrated edition of The Silmarillion.
It was published in , and followed in by a second edition featuring corrections and additional artwork by Nasmith. During the s and s, Christopher Tolkien published most of his father's Middle-earth writings as the volume The History of Middle-earth series.
In addition to the source material and earlier drafts of several portions of The Lord of the Rings , these books greatly expand on the original material published in The Silmarillion , and in many cases diverge from it.
There is much that Tolkien intended to revise but only sketched out in notes, and some new texts surfaced after the publication of The Silmarillion.
These books also make it clear just how unfinished the later parts of The Silmarillion really were: some parts were never rewritten after the early versions in Lost Tales.
The Silmarillion is a complex work exhibiting the influence of many sources. A major influence was the Finnish epic Kalevala , especially the tale of Kullervo.
Influence from Greek mythology is also apparent. Greek mythology also colours the Valar , who borrow many attributes from the Olympian gods.
Medieval Christian cosmology shows its influence especially in the account of the creation of the universe as the manifestation of a sort of song sung by God with which the angels harmonize until the fallen angel introduces discord.
Augustine's writings on music, as well as the extensive medieval tradition of the divine harmony—more familiar to us today in the notion of the " music of the spheres "—served as bases for this telling of creation.
At the time of release, reviews of The Silmarillion were generally negative. Hammond records that the book's publisher, Rayner Unwin , called the reviews "among the most unfair he had ever seen".
The Silmarillion was criticized for being too serious, lacking the light-hearted moments that were found in The Lord of the Rings and especially The Hobbit.
Adams of The New York Review of Books called The Silmarillion "an empty and pompous bore", "not a literary event of any magnitude", and even claimed that the main reason for its "enormous sales" was the "Tolkien cult" created by the popularity of The Hobbit and The Lord of the Rings , predicting that more people would buy The Silmarillion than would ever read it.
Nonetheless, a few reviewers praised the scope of Tolkien's creation. The New York Times Book Review acknowledged that "what is finally most moving is … the eccentric heroism of Tolkien's attempt".
Academic criticism of the text, as selected by Christopher Tolkien, focused on his father's intention to complete the work: since he did not do so, his plans for the overall narrative, out of the large collection of draft texts, were not clearly discernible.
That in turn meant, argued the Tolkien scholar Charles Noad, that Silmarillion criticism ought first to "evolve approaches to this textual complex as it [was], including Christopher Tolkien's Silmarillion ".
Tolkien that rules them all". The works were premiered by orchestras in Southern France between and From Wikipedia, the free encyclopedia.
Collection of J. Tolkien's mythopoeic works. Mythopoeia Fantasy. Dewey Decimal. Main article: J. Tolkien's influences. Retrieved 14 May For the first time in paperback, a fully illustrated edition of The Silmarillion, with colour plates by the celebrated artist Ted Nasmith - designed to match the rest of the Tolkien series.
Recently, in a press conference, Peter Jackson shed a light as to why he is no longer going to adapt any other Tolkien movies; mainly it's because of legal reasons:.
So without the cooperation of the Tolkien estate, there can't be more films. But we're lucky because the author sold rights to the film before his departure, because Lord of the Rings and The Hobbit were his most notable and famous works.
And the story was shared to people who weren't really book readers as we know very well that Tolkien's Lord of the Rings and The Hobbit is going to be a one of those timeless films.
Silmarillion, however, though not famous is rich for movie adaptations. But then again the Tolkien family is not really a fan of Peter Jackson's adaptation of their father's masterpiece.
Last , Christopher Tolkien Son of J. Tolkien was very vocal about this in his interview with Le Monde, "Tolkien has become a monster, devoured by his own popularity and absorbed by the absurdity of our time.Wird „Das Silmarillion“ als Film umgesetzt? Seit Jahren halten sich Gerüchte, dass nach der Herr-der-Ringe-Trilogie und dem „Hobbit“. Immer wieder erreichen uns Mails und Messages mit dem Hinweis, dass das SILMARILLION von J.R.R. Tolkien verfilmt werde. Indikator dafür Immer wieder. Immer wieder erreichen uns Mails und Messages mit dem Hinweis, dass das SILMARILLION von J.R.R. Tolkien verfilmt werde. Indikator dafür. dass die Bücher von J.R.R. Tolkien schon mehrfach verfilmt wurden mythische Geschichtsbücher wie "Das Silmarillion" verfasste, eigene.